Sony FX5 Cinema Camera Body Only (ILME-FX5B)

Key Features

• Capture breathtaking visuals with stunning 5K resolution, perfect for professional cinema productions.
• Experience superior low light performance thanks to the advanced 16.6MP Full-Frame Stacked Exmor RS CMOS Sensor.
• Enjoy robust build quality and versatile lens mount options for diverse filmmaking scenarios.
• Record extended shoots with confidence, supported by impressive long battery life for continuous action.
• Achieve unparalleled detail and color accuracy with high resolution recording capabilities.
• Unlock creative freedom with 6-Axis Dynamic Active IBIS, ensuring stable, shake-free footage every time.
  
  

  What Powers the FX5

   

  A New 16.6MP full-frame stacked Exmor RS CMOS image sensor combined with a new BIONZ XR2 engine with integrated AI processing allows creators to capture their vision in any light and in any format. For the first time in the Cinema Line FX series, the FX5 supports Open Gate 3:2 recording, ideal for creators delivering in horizontal and vertical formats during the same project. It shoots up to 5K at 60 fps, 4K at 120 fps, and FHD at 240 fps across its scan modes. 15+ Stops of Dynamic Range, Dual Gain, and three base ISO make the FX5 ideal for run-and-gun shooting or working with challenging light.
  
  The FX5 is the sweet spot between FX3A and the larger FX6. Powerful enough for serious cinematographers, mid-level creators, and established freelancers. Versatile enough for future filmmakers and high-level social creators who need a camera they can operate solo and that yields pro-level results.

   

  

   

  Perfect Capture
  
  

  Never miss a shot with the FX5's AI-powered subject recognition and tracking. This includes Human, Animal, and Bird recognition.
  
  Fast Hybrid AF draws on up to 759 phase-detection points, keeping focus locked onto fast-moving subjects even in dark scenes or with a shallow depth of field.

   

  

   

  When tracking subjects or making dynamic movements, the improved IBIS with 2x roll correction and Dynamic Active Mode help prevent the "shakey cam" look.
  
  AI-powered ATW (Auto tracing white balance) dynamically adjusts white balance while shooting to keep consistent color in changing light or when moving from environment to environment, an all too common situation for event and wedding professionals.
  
  For those creators who work with Anamorphic lenses, the FX5 can display an internal de-squeeze at 1.3x, 1.5x, 1.6x, 1.8x, and 2.0x.

   

  
  

   

  Updated Clear Image Zoom (CIZ)
  
  

  The zoom ring combines optical and digital zoom to keep your zoom smooth.

   

  

  
  

   

  Dual Gain
  
  

  The FX5 has 15+ stops of dynamic range natively, assisted by the new Dual Gain capability. This allows the FX5 to pick up more information in the shadows and reduces noise in dark areas. Three base ISO: 800, 4000, and 12800 offer filmmakers latitude to shoot in any lighting situation and capture beautifully clean shadows.

   

  

  
  

   

  Linear RAW with 16-bit X-OCN
  
  

  Extended tonal range. Original Camera Negative (X-OCN) provides 16-bit scene-linear RAW recording internally. This eliminates the need for an external RAW recorder. LT, C1, and C2 codec options let creators balance image quality, file size, and workflow flexibility to suit the production.

   

  

  
  

   

  Color Science and Workflow Flexibility
  
  

  S-Cinetone brings Sony's cinema color science to the FX5, delivering natural skin tones and a polished look straight out of camera. Creators can choose from three S-Log3 modes: Cine EI, Cine EI Quick, or Flexible ISO. Import up to 16 user LUTs to monitor the intended look while shooting, and wide-gamut S-Gamut3 and S-Gamut3.Cine support makes color matching easier with VENICE 2 on multi-camera productions.

   

  

  
  

   

  Monitoring and Exposure Options
  
  

  Even with 15+ stops of dynamic range, creators still want to nail the perfect exposure while on set. To that end, the Sony FX5 includes: false color, waveform, and histogram. For perfect focus and depth of field monitoring, the FX5 includes Focus Peaking as well as focus mapping.

   

  

  
  

   

  Larger LCD
  
  

  The 3.5-inch wide 16:9, 4-axis multi-angle LCD monitor is a huge step up from the 3.0-inch vari-angle of the FX3/FX30. The BIG6 (HOME) menu system is inherited from Sony's high-end CineAlta cameras. Additionally, while shooting, the LCD's new informational layout keeps the image area clean, while displaying all the information needed.

   

  

  
  

   

  Inherited from CineAlta
  
  

  Beyond the LCD and internal menus, the FX5 has new/streamlined controls when compared to the FX3. Most prominent is the multi-function dial inherited from Sony's CineAlta cameras, supporting both rotational and push operation for faster access to key settings.

   

  

  
  

   

  Media and Power
  
  

  To store all those RAW files, the FX5 has dual combo memory card slots, each accepting either a CFexpress Type A card or an SDXC (UHS-I/II) card, supporting relay, simultaneous, and separated recording. An updated battery, the NP-SA100, gives approximately 105 minutes of actual recording time, or up to 170 minutes of continuous recording (CIPA standard, LCD monitor).
  
  All of this comes in a genuinely compact body: approximately 643g body-only, or 734g with battery and memory card included, at roughly 132.2 x 79.0 x 87.0mm.

   

  

   

  Build and Connectivity
  
  

  The I/O on the FX5 is designed around working professionals. It has two USB Type-C ports, a full-sized HDMI (Type A), an Ethernet/Lan Port, and both headphone and Microphone jacks (3.5mm). Add to that Tri-band WiFi 2.4GHz/5GHz/6GHz, and you have a camera that fits seamlessly into multicam and streaming workflows in a connected production. Streaming is handled directly over RTMP, RTMPS, or SRT, with no extra hardware required. More locally, you can monitor and control the FX5 wirelessly with a smartphone.

   

  

   

  Several 1/4-20 (UNC) screw holes allow for mounting the FX5 or mounting accessories to the FX5.

   

  
  

   

  Built to Keep Rolling
  
  

  An efficient fan cooling system keeps the FX5 running through long recording sessions, with three fan modes (Auto, Minimum, and Off in REC) to balance cooling against operational noise. The body is sealed at exterior joints and around the battery cover to help resist dust and moisture, so the FX5 can hold up on demanding sets.

   

  

  Optional Accessories

   

  XLR Handle Unit
  
  

  Purpose-built for seamless high-end professional audio capture with two XLR/TRS combo inputs, the new XLR-H2 Handle Unit brings up to 96 kHz/32-bit float, 4-channel audio to the FX5, connecting through the Multi Interface (MI) Shoe. Perfect for ever-changing environments, where noise levels can spike at any moment.
  
  Important for existing Sony cinema shooters: the XLR-H2 is a new unit built specifically for the FX5. The older XLR-H1 handle used on the FX3 and FX6 is not supported. The XLR-H2 also cannot be used at the same time as the optional OLED viewfinder, since both connect through the same MI Shoe.

   

  

  
  

   

  Removeable EVF
  
  

  A 0.58-type, approximately 7.07-million-dot OLED removable EVF (the DVF-EL1) allows for clearer shooting in bright light when the rear LCD screen can be difficult to see. With a DCI-P3-equivalent color gamut, 10-bit display, and HDR monitoring support, this EVF will be a welcome accessory for one-man-band type productions or those that don't want to use an external monitor.

   

  

  
  

   

  Time Code Cable
  
  

  A USB-C to BNC timecode cable rounds out this first batch of accessories.

   

  

  5K full-frame fully-stacked Exmor RS CMOS sensor
  The full-frame stacked Exmor RS CMOS sensor enables fast readout for high-resolution, high-frame-rate recording. Wide latitude and low noise ensure smooth gradation and natural textures, even in high-contrast scenes.

  BIONZ XR2 with integrated AI processing
  The BIONZ XR2 engine delivers dramatic improvements in image, sound, communication, operation, and more. Built-in AI processing enables enhanced subject recognition and deep learning-based Auto Tracing White Balance (ATW), helping you shoot with confidence.

  Open Gate
  The FX5 offers full-frame Open Gate recording a first in the Cinema Line FX series. With 5K up to 60 fps (FF 3:2), 4K up to 120 fps (FF crop) and more, it gives you the freedom to adjust framing, speed and workflow to realize even the most ambitious vision.

  Internal X-OCN compressed RAW
  Capture 16-bit scene-linear X-OCN internally, eliminating the need for an external RAW data recorder. With LT, C1 and C2 codecs, you can balance image quality, file size and RAW workflow flexibility to suit the production.

  Three Base ISO
  Three Base ISO settings - a standard ISO 800, a mid-sensitivity ISO 4000, and a high-sensitivity ISO 12800 for low light - are available to match your shooting environment. Capture clean shadows and wide latitude across varied lighting conditions, for consistently stunning clarity.

  15+ stops of latitude
  Wide latitude helps capture highlight and shadow detail with smooth, natural gradation. Low shadow noise preserves clarity, texture and atmosphere, letting you push your creative grading choices further.

  Dual Gain
  Dual Gain Shooting maximizes latitude while reducing noise to enhance shadow details. Making full use of the sensor's capability, it delivers smooth, natural gradients for greater editing flexibility.

  High-frame-rate capture
  High frame rates open up striking slow-motion possibilities. The FX5 records up to 5K at 60 fps and 4K at 120 fps, giving creators the power to capture fast-paced action with impressive detail and clarity - ideal for everything from cinematic storytelling to sharp sports and documentary footage.

  Precise, reliable AF and tracking
  With built-in AI processing, the BIONZ XR2 engine accurately recognizes human, animal, and bird eyes (Real-time Eye AF). Fast Hybrid AF uses up to 759 points to ensure accurate focus and tracking that keeps up with quick-moving subjects, even in dark scenes and when shooting with a shallow depth of field.

  Built-in de-squeeze for anamorphic shooting
  Built-in de-squeeze support makes anamorphic shooting easier on set. With 1.3x, 1.5x, 1.6x, 1.8x and 2.0x settings, the FX5 works smoothly with a wide range of anamorphic lenses.

  Deep learning-based illumination estimation
  Deep-learning-based illumination estimation achieves unprecedented Auto Tracing White Balance (ATW) accuracy, even in challenging scenes. It delivers accurate color reproduction even under lighting conditions that previously tended to cause color cast.

  S-Cinetone
  S-Cinetone brings Sony cinema color science to the FX5, delivering natural skin tones, smooth gradation and a polished look straight out of camera.

  Wide-gamut color
  With color gamuts exceeding both BT.2020 and DCI-P3, S-Gamut3 and S-Gamut3.Cine retain broad color information for more precise grading and easier color matching with VENICE 2 in multi-camera shoots.

  Three S-Log3 modes
  From cinematic shoots to run-and-gun, choose Cine EI, Cine EI Quick or Flexible ISO to capture imagery with maximum latitude. You can also import up to 16 user LUTs allowing you to easily monitor the intended look in real-time.

  5-axis stabilization
  A precision stabilization unit and gyro sensors combine to provide optical 5-axis in-body stabilization. An enhanced stabilization unit expands the roll-direction compensation range by up to 2x, effectively reducing handheld roll shake.. Dynamic active Mode adds extra electronic support, and embedded stabilization metadata can also be used in post-production for a more controlled final result.

  Lightweight, compact design for agility on set
  The compact flattop body and stable grip are built for comfortable handheld work. Paired with Sony's compact lenses, the FX5 becomes a mobile system for flexible shooting with gimbals, in tight spaces and in fast-moving productions.

  BIG6 (HOME) screen for faster on-set control
  Inherited from Sony's high-end CineAlta cameras, the BIG6 (HOME) screen brings six essential settings - frame rate, EI/ISO/Gain, shutter, iris, LUT and white balance - together on one clear home screen for faster operation. Touch control, the multi-function dial, and CineAlta Fixed/Variable frame-rate control help crews work quickly while keeping critical settings visible at a glance.

  Optional OLED viewfinder DVF-EL1 for easier outdoor monitoring
  Add the optional OLED viewfinder for more immersive monitoring in bright locations. Its 3.5-type panel features approx. 7.07 million dots, DCI-P3 equivalent color gamut, 10-bit display, HDR monitoring support, and 0.90x magnification, while the 0 Degree -90 Degree tilting design and selectable display modes help adapt monitoring to different shooting styles.

  Monitoring support for precise shooting
  Exposure and focus tools, including Waveform Monitor, Histogram, False Color, and Focus Map, support faster judgments on set. They help you manage highlights, shadows, skin tones and critical focus with confidence.

  Clear Image Zoom for smoother, more intuitive framing
  Clear Image Zoom adds a [Smooth Priority] mode that enables seamless zoom from the optical wide end up to 2x digital zoom. [Optical Zoom Priority] is a zoom mode that prioritizes image quality. After the optical zoom reaches its telephoto end, Clear Image Zoom takes over. Seamless zooming can also be controlled from the zoom ring on compatible lenses for more intuitive, consistent framing.

  Dual CFexpress Type A/SD card slots for flexible media workflows
  Dual CFexpress Type A slots support relay, simultaneous, and separate recording while also accepting SDXC (UHS-II/UHS-I) cards. Main and proxy files can be recorded to different slots, giving productions more flexibility in media choice, backup strategy, and file handling.

  Power that keeps pace with long shoots
  A high-capacity 2670 mAh NP-SA100 battery can provide up to 170 minutes of recording time. Optimized power management, improved charging speed, USB Power Delivery and battery condition display help simplify longer shooting days and make it easier to judge when battery replacement may be needed.

  Cooling designed for uninterrupted up to 170 minutes of recording
  An efficient fan cooling system and advanced design deliver up to 3x the airflow, keeping the camera cool even when the LCD monitor is closed. Three fan modes [Auto], [Minimum] and [OFF in REC] let you balance cooling and operational noise to suit the environment and the production.

  3.5-type monitor with 4-axis multi-angle design
  The 3.5-type 16:9 aspect monitor tilts 98 Degree up, 40 Degree down and 180 Degree sideways, and rotates up to 270 Degree when open. A high-brightness panel with 15 brightness settings, fine control of image inversion display, and neatly organized on-screen shooting information all help make monitoring clearer and more flexible on set.

  Movie-first menus and controls
  From menu settings to the CineAlta-style multi-function dial, the FX5 is designed around movie production. Frequently used controls are concentrated around the grip and top panel, and the multi-function dial supports both rotational and push operation for faster access to key settings during a shoot.

  Clear tally visibility
  Configurable front and rear tally lamps make REC/STANDBY status easier to see, and a red frame can also be shown on the monitor during recording. This helps you confirm recording status at a glance, even when a rig or gimbal makes the screen harder to view directly.

  Durable, sealed body design
  Refinements throughout maximize dust and moisture resistance for high reliability in demanding conditions. Sealing is used at exterior joints and around the battery cover to help prevent moisture and dust ingress, and the cooling fan is housed in a separate chamber for added protection.

  Flexible mounting points
  Five screw holes for accessory mounting are provided around the body, with two more on the bottom for tripod mounting. The result is a body that is easier to rig and expand directly with essential accessories.

  Flexible monitoring, power and timecode connections
  The HDMI Type A output port supports flexible external monitoring, with the option to display shooting information on both the camera LCD and an external monitor, or separate status information from the image output. Dual USB Type-C ports support power delivery and timecode input via an optional adapter cable.

  Wired and wireless LAN connectivity for remote workflows
  High-speed wired LAN and built-in Wi-Fi 802.11ax with 2 x2 MIMO on 6 / 5 / 2.4 GHz bands support smoother remote control, file transfer and connected production workflows.