{"product_id":"sony-fx5-cinema-camera-body-only-ilme-fx5b","title":"Sony FX5 Cinema Camera Body Only (ILME-FX5B)","description":"\u003ch2 class=\"ProductInfo_keyFeatures--title__mOBgR\"\u003eKey Features\u003c\/h2\u003e\n\u003cul class=\"ProductInfo_keyFeatures--list__lLzSH\"\u003e\n\u003cli\u003eCapture breathtaking visuals with stunning 5K resolution, perfect for professional cinema productions.\u003c\/li\u003e\n\u003cli\u003eExperience superior low light performance thanks to the advanced 16.6MP Full-Frame Stacked Exmor RS CMOS Sensor.\u003c\/li\u003e\n\u003cli\u003eEnjoy robust build quality and versatile lens mount options for diverse filmmaking scenarios.\u003c\/li\u003e\n\u003cli\u003eRecord extended shoots with confidence, supported by impressive long battery life for continuous action.\u003c\/li\u003e\n\u003cli\u003eAchieve unparalleled detail and color accuracy with high resolution recording capabilities.\u003c\/li\u003e\n\u003cli\u003eUnlock creative freedom with 6-Axis Dynamic Active IBIS, ensuring stable, shake-free footage every time.\u003cbr\u003e\u003cbr\u003e\n\u003cdiv class=\"static-content\"\u003e\n\u003csection class=\"text-block clear cf\"\u003e\n\u003ch3 class=\"highlighted clear cf\"\u003eWhat Powers the FX5\u003c\/h3\u003e\n\u003cdiv class=\"landing-wrap\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eA New 16.6MP full-frame stacked Exmor RS CMOS image sensor combined with a new BIONZ XR2 engine with integrated AI processing allows creators to capture their vision in any light and in any format. For the first time in the Cinema Line FX series, the FX5 supports Open Gate 3:2 recording, ideal for creators delivering in horizontal and vertical formats during the same project. It shoots up to 5K at 60 fps, 4K at 120 fps, and FHD at 240 fps across its scan modes. 15+ Stops of Dynamic Range, Dual Gain, and three base ISO make the FX5 ideal for run-and-gun shooting or working with challenging light.\u003cbr\u003e\u003cbr\u003eThe FX5 is the sweet spot between FX3A and the larger FX6. Powerful enough for serious cinematographers, mid-level creators, and established freelancers. Versatile enough for future filmmakers and high-level social creators who need a camera they can operate solo and that yields pro-level results.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"video-wrap clear cf\"\u003e\n\u003cdiv class=\"video-embed\"\u003e\u003cpicture\u003e\u003csource media=\"(min-width: 768px)\" srcset=\"https:\/\/i.ytimg.com\/vi_webp\/rTtmbqLdB6M\/maxresdefault.webp\"\u003e\u003cimg loading=\"lazy\" decoding=\"async\" id=\"rTtmbqLdB6M\" src=\"https:\/\/i.ytimg.com\/vi_webp\/rTtmbqLdB6M\/sddefault.webp\"\u003e\u003c\/picture\u003e\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"text-block clear cf\"\u003e\n\u003cdiv class=\"landing-wrap\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003ePerfect Capture\u003cbr\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003eNever miss a shot with the FX5's AI-powered subject recognition and tracking. This includes Human, Animal, and Bird recognition.\u003cbr\u003e\u003cbr\u003eFast Hybrid AF draws on up to 759 phase-detection points, keeping focus locked onto fast-moving subjects even in dark scenes or with a shallow depth of field.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"promoBanner1ColDataWrap\" class=\"static-bannerism clear cf\"\u003e\u003cpicture class=\"product-display-banner\" data-lazyload-images=\"\"\u003e\u003csource media=\"(max-width: 599px)\" srcset=\"https:\/\/www.adorama.com\/images\/cms\/72989Sony_FX5_Cinema_Camera_Active_Mode_67340.jpg\" data-lazyload-images=\"\"\u003e\u003csource media=\"(min-width: 599px)\" srcset=\"https:\/\/www.adorama.com\/images\/cms\/72989Sony_FX5_Cinema_Camera_Active_Mode_94223.jpg\" data-lazyload-images=\"\"\u003e\u003cimg src=\"https:\/\/www.adorama.com\/images\/cms\/72989Sony_FX5_Cinema_Camera_Active_Mode_94223.jpg\" alt=\"Sony FX5 Cinema Camera Active Mode\" data-aspect-ratio-mobile=\"\" data-aspect-ratio-desktop=\"\" data-lazyload-images=\"\" loading=\"lazy\"\u003e\u003c\/source\u003e\u003c\/picture\u003e\u003c\/section\u003e\n\u003csection class=\"text-block clear cf\"\u003e\n\u003cdiv class=\"landing-wrap\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWhen tracking subjects or making dynamic movements, the improved IBIS with 2x roll correction and Dynamic Active Mode help prevent the \"shakey cam\" look.\u003cbr\u003e\u003cbr\u003eAI-powered ATW (Auto tracing white balance) dynamically adjusts white balance while shooting to keep consistent color in changing light or when moving from environment to environment, an all too common situation for event and wedding professionals.\u003cbr\u003e\u003cbr\u003eFor those creators who work with Anamorphic lenses, the FX5 can display an internal de-squeeze at 1.3x, 1.5x, 1.6x, 1.8x, and 2.0x.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"static-yoyo clear cf\"\u003e\n\u003cdiv class=\"landing-wrap layout-60-40\"\u003e\n\u003cdiv class=\"col1\"\u003e\n\u003ch4\u003e\u003cbr\u003e\u003c\/h4\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eUpdated Clear Image Zoom (CIZ)\u003cbr\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003eThe zoom ring combines optical and digital zoom to keep your zoom smooth.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col2\"\u003e\u003cpicture class=\"product-display-banner\" data-lazyload-images=\"\"\u003e\u003csource media=\"(max-width: 599px)\" srcset=\"https:\/\/www.adorama.com\/images\/cms\/72989Sony_FX5_Cinema_Camera_zoom_ring_58773.jpg\" data-lazyload-images=\"\"\u003e\u003csource media=\"(min-width: 599px)\" srcset=\"https:\/\/www.adorama.com\/images\/cms\/72989Sony_FX5_Cinema_Camera_zoom_ring_88727.jpg\" data-lazyload-images=\"\"\u003e\u003cimg src=\"https:\/\/www.adorama.com\/images\/cms\/72989Sony_FX5_Cinema_Camera_zoom_ring_88727.jpg\" alt=\"Sony FX5 Cinema Camera zoom ring\" data-aspect-ratio-mobile=\"\" data-aspect-ratio-desktop=\"\" data-lazyload-images=\"\" loading=\"lazy\"\u003e\u003c\/source\u003e\u003c\/picture\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"static-yoyo clear cf\"\u003e\n\u003cdiv class=\"landing-wrap layout-60-40 layout-reverse\"\u003e\n\u003cdiv class=\"col1\"\u003e\n\u003ch4\u003e\u003cbr\u003e\u003c\/h4\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eDual Gain\u003cbr\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003eThe FX5 has 15+ stops of dynamic range natively, assisted by the new Dual Gain capability. This allows the FX5 to pick up more information in the shadows and reduces noise in dark areas. Three base ISO: 800, 4000, and 12800 offer filmmakers latitude to shoot in any lighting situation and capture beautifully clean shadows.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col2\"\u003e\u003cpicture class=\"product-display-banner\" data-lazyload-images=\"\"\u003e\u003csource media=\"(max-width: 599px)\" srcset=\"https:\/\/www.adorama.com\/images\/cms\/72989Sony_FX5_Cinema_Camera_Dual_Gain_84599.jpg\" data-lazyload-images=\"\"\u003e\u003csource media=\"(min-width: 599px)\" srcset=\"https:\/\/www.adorama.com\/images\/cms\/72989Sony_FX5_Cinema_Camera_Dual_Gain_44213.jpg\" data-lazyload-images=\"\"\u003e\u003cimg src=\"https:\/\/www.adorama.com\/images\/cms\/72989Sony_FX5_Cinema_Camera_Dual_Gain_44213.jpg\" alt=\"Sony FX5 Cinema Camera Dual Gain\" data-aspect-ratio-mobile=\"\" data-aspect-ratio-desktop=\"\" data-lazyload-images=\"\" loading=\"lazy\"\u003e\u003c\/source\u003e\u003c\/picture\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"static-yoyo clear cf\"\u003e\n\u003cdiv class=\"landing-wrap layout-60-40\"\u003e\n\u003cdiv class=\"col1\"\u003e\n\u003ch4\u003e\u003cbr\u003e\u003c\/h4\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eLinear RAW with 16-bit X-OCN\u003cbr\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003eExtended tonal range. Original Camera Negative (X-OCN) provides 16-bit scene-linear RAW recording internally. This eliminates the need for an external RAW recorder. LT, C1, and C2 codec options let creators balance image quality, file size, and workflow flexibility to suit the production.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col2\"\u003e\u003cpicture class=\"product-display-banner\" data-lazyload-images=\"\"\u003e\u003csource media=\"(max-width: 599px)\" srcset=\"https:\/\/www.adorama.com\/images\/cms\/72989Sony_FX5_Cinema_Camera_provides_16-bit_scene-linear_RAW_recording_25392.jpg\" data-lazyload-images=\"\"\u003e\u003csource media=\"(min-width: 599px)\" srcset=\"https:\/\/www.adorama.com\/images\/cms\/72989Sony_FX5_Cinema_Camera_provides_16-bit_scene-linear_RAW_recording_71372.jpg\" data-lazyload-images=\"\"\u003e\u003cimg src=\"https:\/\/www.adorama.com\/images\/cms\/72989Sony_FX5_Cinema_Camera_provides_16-bit_scene-linear_RAW_recording_71372.jpg\" alt=\"Sony FX5 Cinema Camera provides 16-bit scene-linear RAW recording\" data-aspect-ratio-mobile=\"\" data-aspect-ratio-desktop=\"\" data-lazyload-images=\"\" loading=\"lazy\"\u003e\u003c\/source\u003e\u003c\/picture\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"static-yoyo clear cf\"\u003e\n\u003cdiv class=\"landing-wrap layout-60-40 layout-reverse\"\u003e\n\u003cdiv class=\"col1\"\u003e\n\u003ch4\u003e\u003cbr\u003e\u003c\/h4\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eColor Science and Workflow Flexibility\u003cbr\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003eS-Cinetone brings Sony's cinema color science to the FX5, delivering natural skin tones and a polished look straight out of camera. Creators can choose from three S-Log3 modes: Cine EI, Cine EI Quick, or Flexible ISO. Import up to 16 user LUTs to monitor the intended look while shooting, and wide-gamut S-Gamut3 and S-Gamut3.Cine support makes color matching easier with VENICE 2 on multi-camera productions.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col2\"\u003e\u003cpicture class=\"product-display-banner\" data-lazyload-images=\"\"\u003e\u003csource media=\"(max-width: 599px)\" srcset=\"https:\/\/www.adorama.com\/images\/cms\/72989Sony_FX5_Cinema_Camera_color_science_75907.jpg\" data-lazyload-images=\"\"\u003e\u003csource media=\"(min-width: 599px)\" srcset=\"https:\/\/www.adorama.com\/images\/cms\/72989Sony_FX5_Cinema_Camera_color_science_37329.jpg\" data-lazyload-images=\"\"\u003e\u003cimg src=\"https:\/\/www.adorama.com\/images\/cms\/72989Sony_FX5_Cinema_Camera_color_science_37329.jpg\" alt=\"Sony FX5 Cinema Camera color science\" data-aspect-ratio-mobile=\"\" data-aspect-ratio-desktop=\"\" data-lazyload-images=\"\" loading=\"lazy\"\u003e\u003c\/source\u003e\u003c\/picture\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"static-yoyo clear cf\"\u003e\n\u003cdiv class=\"landing-wrap layout-60-40\"\u003e\n\u003cdiv class=\"col1\"\u003e\n\u003ch4\u003e\u003cbr\u003e\u003c\/h4\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eMonitoring and Exposure Options\u003cbr\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003eEven with 15+ stops of dynamic range, creators still want to nail the perfect exposure while on set. To that end, the Sony FX5 includes: false color, waveform, and histogram. For perfect focus and depth of field monitoring, the FX5 includes Focus Peaking as well as focus mapping.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col2\"\u003e\u003cpicture class=\"product-display-banner\" data-lazyload-images=\"\"\u003e\u003csource media=\"(max-width: 599px)\" srcset=\"https:\/\/www.adorama.com\/images\/cms\/72989Sony_FX5_Cinema_Camera_15_stops_of_dynamic_range_34184.jpg\" data-lazyload-images=\"\"\u003e\u003csource media=\"(min-width: 599px)\" srcset=\"https:\/\/www.adorama.com\/images\/cms\/72989Sony_FX5_Cinema_Camera_15_stops_of_dynamic_range_92661.jpg\" data-lazyload-images=\"\"\u003e\u003cimg src=\"https:\/\/www.adorama.com\/images\/cms\/72989Sony_FX5_Cinema_Camera_15_stops_of_dynamic_range_92661.jpg\" alt=\"Sony FX5 Cinema Camera 15 stops of dynamic range\" data-aspect-ratio-mobile=\"\" data-aspect-ratio-desktop=\"\" data-lazyload-images=\"\" loading=\"lazy\"\u003e\u003c\/source\u003e\u003c\/picture\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"static-yoyo clear cf\"\u003e\n\u003cdiv class=\"landing-wrap layout-60-40 layout-reverse\"\u003e\n\u003cdiv class=\"col1\"\u003e\n\u003ch4\u003e\u003cbr\u003e\u003c\/h4\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eLarger LCD\u003cbr\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003eThe 3.5-inch wide 16:9, 4-axis multi-angle LCD monitor is a huge step up from the 3.0-inch vari-angle of the FX3\/FX30. The BIG6 (HOME) menu system is inherited from Sony's high-end CineAlta cameras. Additionally, while shooting, the LCD's new informational layout keeps the image area clean, while displaying all the information needed.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col2\"\u003e\u003cpicture class=\"product-display-banner\" data-lazyload-images=\"\"\u003e\u003csource media=\"(max-width: 599px)\" srcset=\"https:\/\/www.adorama.com\/images\/cms\/72989Sony_FX5_Cinema_Camera_LCD_monitor_10850.jpg\" data-lazyload-images=\"\"\u003e\u003csource media=\"(min-width: 599px)\" srcset=\"https:\/\/www.adorama.com\/images\/cms\/72989Sony_FX5_Cinema_Camera_LCD_monitor_16015.jpg\" data-lazyload-images=\"\"\u003e\u003cimg src=\"https:\/\/www.adorama.com\/images\/cms\/72989Sony_FX5_Cinema_Camera_LCD_monitor_16015.jpg\" alt=\"Sony FX5 Cinema Camera LCD monitor\" data-aspect-ratio-mobile=\"\" data-aspect-ratio-desktop=\"\" data-lazyload-images=\"\" loading=\"lazy\"\u003e\u003c\/source\u003e\u003c\/picture\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"static-yoyo clear cf\"\u003e\n\u003cdiv class=\"landing-wrap layout-60-40\"\u003e\n\u003cdiv class=\"col1\"\u003e\n\u003ch4\u003e\u003cbr\u003e\u003c\/h4\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eInherited from CineAlta\u003cbr\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003eBeyond the LCD and internal menus, the FX5 has new\/streamlined controls when compared to the FX3. Most prominent is the multi-function dial inherited from Sony's CineAlta cameras, supporting both rotational and push operation for faster access to key settings.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col2\"\u003e\n\u003cdiv class=\"video-embed\"\u003e\u003cpicture\u003e\u003csource media=\"(min-width: 768px)\" srcset=\"https:\/\/i.ytimg.com\/vi_webp\/X58vUvb65II\/maxresdefault.webp\"\u003e\u003cimg loading=\"lazy\" decoding=\"async\" id=\"X58vUvb65II\" src=\"https:\/\/i.ytimg.com\/vi_webp\/X58vUvb65II\/sddefault.webp\"\u003e\u003c\/picture\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"static-yoyo clear cf\"\u003e\n\u003cdiv class=\"landing-wrap layout-60-40 layout-reverse\"\u003e\n\u003cdiv class=\"col1\"\u003e\n\u003ch4\u003e\u003cbr\u003e\u003c\/h4\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eMedia and Power\u003cbr\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003eTo store all those RAW files, the FX5 has dual combo memory card slots, each accepting either a CFexpress Type A card or an SDXC (UHS-I\/II) card, supporting relay, simultaneous, and separated recording. An updated battery, the NP-SA100, gives approximately 105 minutes of actual recording time, or up to 170 minutes of continuous recording (CIPA standard, LCD monitor).\u003cbr\u003e\u003cbr\u003eAll of this comes in a genuinely compact body: approximately 643g body-only, or 734g with battery and memory card included, at roughly 132.2 x 79.0 x 87.0mm.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col2\"\u003e\u003cpicture class=\"product-display-banner\" data-lazyload-images=\"\"\u003e\u003csource media=\"(max-width: 599px)\" srcset=\"https:\/\/www.adorama.com\/images\/cms\/72989Sony_FX5_Cinema_Camera_is_compact_and_lightweight__70404.jpg\" data-lazyload-images=\"\"\u003e\u003csource media=\"(min-width: 599px)\" srcset=\"https:\/\/www.adorama.com\/images\/cms\/72989Sony_FX5_Cinema_Camera_is_compact_and_lightweight__66196.jpg\" data-lazyload-images=\"\"\u003e\u003cimg src=\"https:\/\/www.adorama.com\/images\/cms\/72989Sony_FX5_Cinema_Camera_is_compact_and_lightweight__66196.jpg\" alt=\"Sony FX5 Cinema Camera has memory card slots\" data-aspect-ratio-mobile=\"\" data-aspect-ratio-desktop=\"\" data-lazyload-images=\"\" loading=\"lazy\"\u003e\u003c\/source\u003e\u003c\/picture\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"text-block clear cf\"\u003e\n\u003cdiv class=\"landing-wrap\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eBuild and Connectivity\u003cbr\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003eThe I\/O on the FX5 is designed around working professionals. It has two USB Type-C ports, a full-sized HDMI (Type A), an Ethernet\/Lan Port, and both headphone and Microphone jacks (3.5mm). Add to that Tri-band WiFi 2.4GHz\/5GHz\/6GHz, and you have a camera that fits seamlessly into multicam and streaming workflows in a connected production. Streaming is handled directly over RTMP, RTMPS, or SRT, with no extra hardware required. More locally, you can monitor and control the FX5 wirelessly with a smartphone.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection id=\"promoBanner1ColDataWrap\" class=\"static-bannerism clear cf\"\u003e\u003cpicture class=\"product-display-banner\" data-lazyload-images=\"\"\u003e\u003csource media=\"(max-width: 599px)\" srcset=\"https:\/\/www.adorama.com\/images\/cms\/72989Sony_FX5_Cinema_Camera_build_and_conectivity_57094.jpg\" data-lazyload-images=\"\"\u003e\u003csource media=\"(min-width: 599px)\" srcset=\"https:\/\/www.adorama.com\/images\/cms\/72989Sony_FX5_Cinema_Camera_build_and_conectivity_78176.jpg\" data-lazyload-images=\"\"\u003e\u003cimg src=\"https:\/\/www.adorama.com\/images\/cms\/72989Sony_FX5_Cinema_Camera_build_and_conectivity_78176.jpg\" alt=\"Sony FX5 Cinema Camera build and conectivity\" data-aspect-ratio-mobile=\"\" data-aspect-ratio-desktop=\"\" data-lazyload-images=\"\" loading=\"lazy\"\u003e\u003c\/source\u003e\u003c\/picture\u003e\u003c\/section\u003e\n\u003csection class=\"text-block clear cf\"\u003e\n\u003cdiv class=\"landing-wrap\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSeveral 1\/4-20 (UNC) screw holes allow for mounting the FX5 or mounting accessories to the FX5.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"static-yoyo clear cf\"\u003e\n\u003cdiv class=\"landing-wrap layout-60-40\"\u003e\n\u003cdiv class=\"col1\"\u003e\n\u003ch4\u003e\u003cbr\u003e\u003c\/h4\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eBuilt to Keep Rolling\u003cbr\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003eAn efficient fan cooling system keeps the FX5 running through long recording sessions, with three fan modes (Auto, Minimum, and Off in REC) to balance cooling against operational noise. The body is sealed at exterior joints and around the battery cover to help resist dust and moisture, so the FX5 can hold up on demanding sets.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col2\"\u003e\u003cpicture class=\"product-display-banner\" data-lazyload-images=\"\"\u003e\u003csource media=\"(max-width: 599px)\" srcset=\"https:\/\/www.adorama.com\/images\/cms\/72989Sony_FX5_Cinema_Camera_is_dust_resistant_54413.jpg\" data-lazyload-images=\"\"\u003e\u003csource media=\"(min-width: 599px)\" srcset=\"https:\/\/www.adorama.com\/images\/cms\/72989Sony_FX5_Cinema_Camera_is_dust_resistant_78622.jpg\" data-lazyload-images=\"\"\u003e\u003cimg src=\"https:\/\/www.adorama.com\/images\/cms\/72989Sony_FX5_Cinema_Camera_is_dust_resistant_78622.jpg\" alt=\"Sony FX5 Cinema Camera is dust resistant\" data-aspect-ratio-mobile=\"\" data-aspect-ratio-desktop=\"\" data-lazyload-images=\"\" loading=\"lazy\"\u003e\u003c\/source\u003e\u003c\/picture\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003ch3 class=\"highlighted clear cf\"\u003eOptional Accessories\u003c\/h3\u003e\n\u003csection class=\"static-yoyo clear cf\"\u003e\n\u003cdiv class=\"landing-wrap layout-60-40 layout-reverse\"\u003e\n\u003cdiv class=\"col1\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eXLR Handle Unit\u003cbr\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003ePurpose-built for seamless high-end professional audio capture with two XLR\/TRS combo inputs, the new XLR-H2 Handle Unit brings up to 96 kHz\/32-bit float, 4-channel audio to the FX5, connecting through the Multi Interface (MI) Shoe. Perfect for ever-changing environments, where noise levels can spike at any moment.\u003cbr\u003e\u003cbr\u003eImportant for existing Sony cinema shooters: the XLR-H2 is a new unit built specifically for the FX5. The older XLR-H1 handle used on the FX3 and FX6 is not supported. The XLR-H2 also cannot be used at the same time as the optional OLED viewfinder, since both connect through the same MI Shoe.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col2\"\u003e\u003cpicture class=\"product-display-banner\" data-lazyload-images=\"\"\u003e\u003csource media=\"(max-width: 599px)\" srcset=\"https:\/\/www.adorama.com\/images\/cms\/72989Sony_FX5_Cinema_Camera_XLR_handle_unit_52214.jpg\" data-lazyload-images=\"\"\u003e\u003csource media=\"(min-width: 599px)\" srcset=\"https:\/\/www.adorama.com\/images\/cms\/72989Sony_FX5_Cinema_Camera_XLR_handle_unit_93081.jpg\" data-lazyload-images=\"\"\u003e\u003cimg src=\"https:\/\/www.adorama.com\/images\/cms\/72989Sony_FX5_Cinema_Camera_XLR_handle_unit_93081.jpg\" alt=\"Sony FX5 Cinema Camera XLR handle unit\" data-aspect-ratio-mobile=\"\" data-aspect-ratio-desktop=\"\" data-lazyload-images=\"\" loading=\"lazy\"\u003e\u003c\/source\u003e\u003c\/picture\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"static-yoyo clear cf\"\u003e\n\u003cdiv class=\"landing-wrap layout-60-40\"\u003e\n\u003cdiv class=\"col1\"\u003e\n\u003ch4\u003e\u003cbr\u003e\u003c\/h4\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eRemoveable EVF\u003cbr\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003eA 0.58-type, approximately 7.07-million-dot OLED removable EVF (the DVF-EL1) allows for clearer shooting in bright light when the rear LCD screen can be difficult to see. With a DCI-P3-equivalent color gamut, 10-bit display, and HDR monitoring support, this EVF will be a welcome accessory for one-man-band type productions or those that don't want to use an external monitor.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col2\"\u003e\u003cpicture class=\"product-display-banner\" data-lazyload-images=\"\"\u003e\u003csource media=\"(max-width: 599px)\" srcset=\"https:\/\/www.adorama.com\/images\/cms\/72989Sony_FX5_Cinema_Camera_removable_EVF_11523.jpg\" data-lazyload-images=\"\"\u003e\u003csource media=\"(min-width: 599px)\" srcset=\"https:\/\/www.adorama.com\/images\/cms\/72989Sony_FX5_Cinema_Camera_removable_EVF_98900.jpg\" data-lazyload-images=\"\"\u003e\u003cimg src=\"https:\/\/www.adorama.com\/images\/cms\/72989Sony_FX5_Cinema_Camera_removable_EVF_98900.jpg\" alt=\"Sony FX5 Cinema Camera removable EVF\" data-aspect-ratio-mobile=\"\" data-aspect-ratio-desktop=\"\" data-lazyload-images=\"\" loading=\"lazy\"\u003e\u003c\/source\u003e\u003c\/picture\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"static-yoyo clear cf\"\u003e\n\u003cdiv class=\"landing-wrap layout-60-40 layout-reverse\"\u003e\n\u003cdiv class=\"col1\"\u003e\n\u003ch4\u003e\u003cbr\u003e\u003c\/h4\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eTime Code Cable\u003cbr\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003eA USB-C to BNC timecode cable rounds out this first batch of accessories.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col2\"\u003e\u003cpicture class=\"product-display-banner\" data-lazyload-images=\"\"\u003e\u003csource media=\"(max-width: 599px)\" srcset=\"https:\/\/www.adorama.com\/images\/cms\/72989Sony_FX5_Cinema_Camera_time_code_cable_48412.jpg\" data-lazyload-images=\"\"\u003e\u003csource media=\"(min-width: 599px)\" srcset=\"https:\/\/www.adorama.com\/images\/cms\/72989Sony_FX5_Cinema_Camera_time_code_cable_56515.jpg\" data-lazyload-images=\"\"\u003e\u003cimg src=\"https:\/\/www.adorama.com\/images\/cms\/72989Sony_FX5_Cinema_Camera_time_code_cable_56515.jpg\" alt=\"Sony FX5 Cinema Camera time code cable\" data-aspect-ratio-mobile=\"\" data-aspect-ratio-desktop=\"\" data-lazyload-images=\"\" loading=\"lazy\"\u003e\u003c\/source\u003e\u003c\/picture\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cb\u003e5K full-frame fully-stacked Exmor RS CMOS sensor\u003c\/b\u003e\u003cbr\u003eThe full-frame stacked Exmor RS CMOS sensor enables fast readout for high-resolution, high-frame-rate recording. Wide latitude and low noise ensure smooth gradation and natural textures, even in high-contrast scenes.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBIONZ XR2 with integrated AI processing\u003c\/b\u003e\u003cbr\u003eThe BIONZ XR2 engine delivers dramatic improvements in image, sound, communication, operation, and more. Built-in AI processing enables enhanced subject recognition and deep learning-based Auto Tracing White Balance (ATW), helping you shoot with confidence.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eOpen Gate\u003c\/b\u003e\u003cbr\u003eThe FX5 offers full-frame Open Gate recording a first in the Cinema Line FX series. With 5K up to 60 fps (FF 3:2), 4K up to 120 fps (FF crop) and more, it gives you the freedom to adjust framing, speed and workflow to realize even the most ambitious vision.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eInternal X-OCN compressed RAW\u003c\/b\u003e\u003cbr\u003eCapture 16-bit scene-linear X-OCN internally, eliminating the need for an external RAW data recorder. With LT, C1 and C2 codecs, you can balance image quality, file size and RAW workflow flexibility to suit the production.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eThree Base ISO\u003c\/b\u003e\u003cbr\u003eThree Base ISO settings - a standard ISO 800, a mid-sensitivity ISO 4000, and a high-sensitivity ISO 12800 for low light - are available to match your shooting environment. Capture clean shadows and wide latitude across varied lighting conditions, for consistently stunning clarity.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e15+ stops of latitude\u003c\/b\u003e\u003cbr\u003eWide latitude helps capture highlight and shadow detail with smooth, natural gradation. Low shadow noise preserves clarity, texture and atmosphere, letting you push your creative grading choices further.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDual Gain\u003c\/b\u003e\u003cbr\u003eDual Gain Shooting maximizes latitude while reducing noise to enhance shadow details. Making full use of the sensor's capability, it delivers smooth, natural gradients for greater editing flexibility.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eHigh-frame-rate capture\u003c\/b\u003e\u003cbr\u003eHigh frame rates open up striking slow-motion possibilities. The FX5 records up to 5K at 60 fps and 4K at 120 fps, giving creators the power to capture fast-paced action with impressive detail and clarity - ideal for everything from cinematic storytelling to sharp sports and documentary footage.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePrecise, reliable AF and tracking\u003c\/b\u003e\u003cbr\u003eWith built-in AI processing, the BIONZ XR2 engine accurately recognizes human, animal, and bird eyes (Real-time Eye AF). Fast Hybrid AF uses up to 759 points to ensure accurate focus and tracking that keeps up with quick-moving subjects, even in dark scenes and when shooting with a shallow depth of field.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBuilt-in de-squeeze for anamorphic shooting\u003c\/b\u003e\u003cbr\u003eBuilt-in de-squeeze support makes anamorphic shooting easier on set. With 1.3x, 1.5x, 1.6x, 1.8x and 2.0x settings, the FX5 works smoothly with a wide range of anamorphic lenses.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDeep learning-based illumination estimation\u003c\/b\u003e\u003cbr\u003eDeep-learning-based illumination estimation achieves unprecedented Auto Tracing White Balance (ATW) accuracy, even in challenging scenes. It delivers accurate color reproduction even under lighting conditions that previously tended to cause color cast.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eS-Cinetone\u003c\/b\u003e\u003cbr\u003eS-Cinetone brings Sony cinema color science to the FX5, delivering natural skin tones, smooth gradation and a polished look straight out of camera.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eWide-gamut color\u003c\/b\u003e\u003cbr\u003eWith color gamuts exceeding both BT.2020 and DCI-P3, S-Gamut3 and S-Gamut3.Cine retain broad color information for more precise grading and easier color matching with VENICE 2 in multi-camera shoots.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eThree S-Log3 modes\u003c\/b\u003e\u003cbr\u003eFrom cinematic shoots to run-and-gun, choose Cine EI, Cine EI Quick or Flexible ISO to capture imagery with maximum latitude. You can also import up to 16 user LUTs allowing you to easily monitor the intended look in real-time.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e5-axis stabilization\u003c\/b\u003e\u003cbr\u003eA precision stabilization unit and gyro sensors combine to provide optical 5-axis in-body stabilization. An enhanced stabilization unit expands the roll-direction compensation range by up to 2x, effectively reducing handheld roll shake.. Dynamic active Mode adds extra electronic support, and embedded stabilization metadata can also be used in post-production for a more controlled final result.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLightweight, compact design for agility on set\u003c\/b\u003e\u003cbr\u003eThe compact flattop body and stable grip are built for comfortable handheld work. Paired with Sony's compact lenses, the FX5 becomes a mobile system for flexible shooting with gimbals, in tight spaces and in fast-moving productions.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBIG6 (HOME) screen for faster on-set control\u003c\/b\u003e\u003cbr\u003eInherited from Sony's high-end CineAlta cameras, the BIG6 (HOME) screen brings six essential settings - frame rate, EI\/ISO\/Gain, shutter, iris, LUT and white balance - together on one clear home screen for faster operation. Touch control, the multi-function dial, and CineAlta Fixed\/Variable frame-rate control help crews work quickly while keeping critical settings visible at a glance.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eOptional OLED viewfinder DVF-EL1 for easier outdoor monitoring\u003c\/b\u003e\u003cbr\u003eAdd the optional OLED viewfinder for more immersive monitoring in bright locations. Its 3.5-type panel features approx. 7.07 million dots, DCI-P3 equivalent color gamut, 10-bit display, HDR monitoring support, and 0.90x magnification, while the 0 Degree -90 Degree tilting design and selectable display modes help adapt monitoring to different shooting styles.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMonitoring support for precise shooting\u003c\/b\u003e\u003cbr\u003eExposure and focus tools, including Waveform Monitor, Histogram, False Color, and Focus Map, support faster judgments on set. They help you manage highlights, shadows, skin tones and critical focus with confidence.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eClear Image Zoom for smoother, more intuitive framing\u003c\/b\u003e\u003cbr\u003eClear Image Zoom adds a [Smooth Priority] mode that enables seamless zoom from the optical wide end up to 2x digital zoom. [Optical Zoom Priority] is a zoom mode that prioritizes image quality. After the optical zoom reaches its telephoto end, Clear Image Zoom takes over. Seamless zooming can also be controlled from the zoom ring on compatible lenses for more intuitive, consistent framing.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDual CFexpress Type A\/SD card slots for flexible media workflows\u003c\/b\u003e\u003cbr\u003eDual CFexpress Type A slots support relay, simultaneous, and separate recording while also accepting SDXC (UHS-II\/UHS-I) cards. Main and proxy files can be recorded to different slots, giving productions more flexibility in media choice, backup strategy, and file handling.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePower that keeps pace with long shoots\u003c\/b\u003e\u003cbr\u003eA high-capacity 2670 mAh NP-SA100 battery can provide up to 170 minutes of recording time. Optimized power management, improved charging speed, USB Power Delivery and battery condition display help simplify longer shooting days and make it easier to judge when battery replacement may be needed.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCooling designed for uninterrupted up to 170 minutes of recording\u003c\/b\u003e\u003cbr\u003eAn efficient fan cooling system and advanced design deliver up to 3x the airflow, keeping the camera cool even when the LCD monitor is closed. Three fan modes [Auto], [Minimum] and [OFF in REC] let you balance cooling and operational noise to suit the environment and the production.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e3.5-type monitor with 4-axis multi-angle design\u003c\/b\u003e\u003cbr\u003eThe 3.5-type 16:9 aspect monitor tilts 98 Degree up, 40 Degree down and 180 Degree sideways, and rotates up to 270 Degree when open. A high-brightness panel with 15 brightness settings, fine control of image inversion display, and neatly organized on-screen shooting information all help make monitoring clearer and more flexible on set.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMovie-first menus and controls\u003c\/b\u003e\u003cbr\u003eFrom menu settings to the CineAlta-style multi-function dial, the FX5 is designed around movie production. Frequently used controls are concentrated around the grip and top panel, and the multi-function dial supports both rotational and push operation for faster access to key settings during a shoot.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eClear tally visibility\u003c\/b\u003e\u003cbr\u003eConfigurable front and rear tally lamps make REC\/STANDBY status easier to see, and a red frame can also be shown on the monitor during recording. This helps you confirm recording status at a glance, even when a rig or gimbal makes the screen harder to view directly.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDurable, sealed body design\u003c\/b\u003e\u003cbr\u003eRefinements throughout maximize dust and moisture resistance for high reliability in demanding conditions. Sealing is used at exterior joints and around the battery cover to help prevent moisture and dust ingress, and the cooling fan is housed in a separate chamber for added protection.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eFlexible mounting points\u003c\/b\u003e\u003cbr\u003eFive screw holes for accessory mounting are provided around the body, with two more on the bottom for tripod mounting. The result is a body that is easier to rig and expand directly with essential accessories.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eFlexible monitoring, power and timecode connections\u003c\/b\u003e\u003cbr\u003eThe HDMI Type A output port supports flexible external monitoring, with the option to display shooting information on both the camera LCD and an external monitor, or separate status information from the image output. Dual USB Type-C ports support power delivery and timecode input via an optional adapter cable.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eWired and wireless LAN connectivity for remote workflows\u003c\/b\u003e\u003cbr\u003eHigh-speed wired LAN and built-in Wi-Fi 802.11ax with 2 x2 MIMO on 6 \/ 5 \/ 2.4 GHz bands support smoother remote control, file transfer and connected production workflows.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"shuttermaster.com.ph","offers":[{"title":"Default Title","offer_id":47710635032765,"sku":"Sony FX5 Cinema Camera Body Only (ILME-FX5B)","price":318000.0,"currency_code":"PHP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2439\/8421\/files\/sony-fx5-cinema-camera_sofx5.webp?v=1784772581","url":"https:\/\/www.shuttermaster.com.ph\/products\/sony-fx5-cinema-camera-body-only-ilme-fx5b","provider":"Shuttermaster pro","version":"1.0","type":"link"}